In 1938, John Cage dressed up the inside of a piano with bolts, screws, and other assorted hardware, to fulfill the needs of small dance company looking for more sonic
In 1938, John Cage dressed up the inside of a piano with bolts, screws, and other assorted hardware, to fulfill the needs of small dance company looking for more sonic variety than their one piano, or budget, could muster. The “prepared” piano was born and ten years later Cage’s masterpiece for that invention, Sonatas and Interludes, was written.
Central to the work are ideas drawn from Indian aesthetic philosophy, ideas that would then become inspiration for Cage’s creative direction and the foundation of his view of music’s fundamental purpose. Often excerpted in performance, pianist Boris Berman brings Sonatas and Interludes to the Nasher in its entirety, allowing us to experience the full, cumulative effect of Cage’s 70-minute work.
Members: $20, Non-Members: $25, Student/Educator: $10.
Individual tickets for John Cage’s Sonatas and Interludes are now on sale here: http://nashersc.org/
Seth Knopp of Yellow Barn is the artistic director of Soundings: New Music at the Nasher, which is currently in its seventh season.
Soundings is supported by Charles and Jessie Price and Kay and Elliot Cattarulla, Aston Martin of Dallas, the Friends of Soundings, City of Dallas Office of Cultural Affairs, and TACA (The Arts Community Alliance).
Additional support provided by Nancy A. Nasher and David J. Haemisegger.
Media Partner: WRR 101 FM.